Defining Our Terms
September 3 Labor Day Holiday
What Is So Scary about Eyes and Mirrors?
Down the Rabbit Hole!
Does Theory Help or Harm?
Parisian Anxieties
Has It All Been Said Before?
The Doors, Patti Smith, and beyond
Doré’s and Moreau’s Bad Dreams
Huysmans, Against Nature (1884), pages 1-22, 35-43
Rédon’s Hallucinations
Huysmans, pages 44-61
“The Women of Klimt and Schiele”
Huysmans, pages 82-91, 103-14
Absinthe Art
Huysmans, pages 164-181
London's Secrets
Decadent London?
Wilde, The Picture of Dorian Gray (1890), pages 1-49
How Many More Ophelias?
Wilde, pages 50-104
Schoenberg’s "Glances" and Mapplethorpe’s photographs
Wilde, 105-65
Nostalgia for Your Own Past
Wilde, 166-208
Occidental/Oriental Nightmares
Dystopic London?
Stoker, Dracula (1897), pages 9-74
The Kindness of Strangers and Encountering the Alien
Stoker, pages, 75-147
What Makes a Woman Modern? And Scary?
Stoker, pages 147-204
Coppola, Bram Stoker’s Dracula (1992) Clip 1, Clip 2, Madonna, "Bedtime Story" (1998) and Dracula, New Woman (ppt)
PROSPECTUS DUE
Sparkle, Or Who Exactly Is In Love With Whom?
Stoker, pages 204-273
Jordan, Interview with the Vampire (1994) and Slade, Twilight: Eclipse (2010)
New Hatreds and New Vampires
Stoker, pages 273-327
Moscow’s Demons and Dogs
Images by Steinlen, Bilibin, Vrubel and Repin
Outcasts, Veterans, and Bandits
Bulgakov, Heart of a Dog, pages 1-45
Cyborgs and Clones
Bulgakov, pages 46-85
November 19 No Lecture: Individual work on long paper revisions
November 23 THANKSGIVING HOLIDAY
More and Less than Human
Bulgakov, pages 86-123
Bekmambetov, Night Watch (2004) and Aphex Twin/Cunningham, Come to Daddy (1997)
What Dreams May Come
Magritte, Dalì, and friends
"Surrealist Film"
None
Farewells and Endings
None
REWRITES DUE IN SECTION (DECEMBER 7th)
